Photography Project: Design a New Way of Looking at The City
Design your own cartography and include the elements in your city that you would represent but are not shown on the official map.
Design your own cartography and include the elements in your city that you would represent but are not shown on the official map.
In Photography to Grow, you’ll find all the tools you need to run a creative photography workshop for children and teens: theory, practical content, inspiration, and activities.
A photograph is where the interests and desires of the viewer intersect, and these are just as important for the person taking the photo as they are for the viewer. Sometimes, the message aligns, and sometimes, it does not. That is why photography, rich in meaning for both the photographer and the viewer, is always an OPPORTUNITY.
Can a blind person take photos? Seeing is not a requirement for taking photos, as they are not solely born from sight. A blind person is endowed with the paradox of not being able to see the world, yet also with a sense of mystery and a connection to another reality. The…
If your worst fear took a human form, what would it look like? Working with fear through photography is a creative task.
All human beings are born free and equal in dignity and rights, and, endowed as they are with reason and conscience, they should act fraternally towards one another. UN The teaching of photography is a key instrument for fostering creativity and the inclusion of people with functional diversity. To create and communicate means…
Ansel Adams used to say that photography is not only done with the camera. “You do it with all the images you have seen, with all the books you have read, with all the music you have listened to, and with all the people you have loved”.
I don’t like to see a wonderful photograph and have my gaze fall on that wound; on the fiery mark of the creator, invalidating the visual walk of the person who observes and contemplates. Therefore, I invite you to start your critical thinking, another way of looking.
I propose a photographic exercise that you can do with any type of camera, including a mobile: I GIVE MYSELF PERMISSION.
You have often wondered: “Why do my photos not reflect my gaze?” “Why is the photo not exactly what I have seen?” You feel a mismatch between the photograph you thought you would obtain and its final result…
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.
If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.