{"id":62413,"date":"2025-12-10T20:21:01","date_gmt":"2025-12-10T19:21:01","guid":{"rendered":"https:\/\/andanafoto.com\/?p=62413"},"modified":"2026-04-21T10:04:58","modified_gmt":"2026-04-21T08:04:58","slug":"documentary-photography-and-the-responsibility-of-looking","status":"publish","type":"post","link":"https:\/\/andanafoto.com\/en\/documentary-photography-and-the-responsibility-of-looking\/","title":{"rendered":"Documentary Photography and the Responsibility of Looking"},"content":{"rendered":"<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Documentary photography is a powerful tool for social representation, but it also raises ethical dilemmas related to the gaze, vulnerability, and the construction of narratives about others.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">From a psychological perspective, this article explores the cognitive, emotional, and relational processes involved in the act of photographing, with the aim of encouraging more respectful, conscious, and collaborative practices in today\u2019s visual culture. The proliferation of images in contemporary society has heightened the importance of psychologically analyzing the act of looking.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Some photography exhibitions move me deeply, while others make me feel profoundly uncomfortable. The World Press Photo has always fallen into the latter category. Not because I question the value of photojournalism, but because certain images awaken an intimate, almost physical conflict in me: a knot in my stomach, a lingering unease that stays with me long after leaving the exhibition room.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">This kind of work reveals the emotional and cognitive impact that certain documentary images can have, provoking responses ranging from empathy to moral discomfort.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Far from questioning the value of photojournalism, this text proposes a critical review <strong>of how we construct meaning<\/strong> when we observe \u2014or produce\u2014 images of realities that are not our own.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h4><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Representing the Other: A Psychological and Ethical Process<\/span><\/h4>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">This feeling of discomfort arises especially when I see images that tell stories of lives that do not belong to the person behind the camera. Photographs taken in distant countries by people even more distant; intimate stories told from the outside, without being part of them. That\u2019s where a hard-to-explain sensation arises: the impression of entering a reality that doesn\u2019t belong to me, of witnessing something fragile from a distance that never feels truly innocent.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Given my background, I can\u2019t help but view documentary photography as a space of relationships: relationships of power, of representation, of interpretation and, above all, of responsibility.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Social and cultural psychology have extensively described the processes through which we interpret others based on our own cognitive and emotional frameworks. Documentary photography, by capturing a moment and turning it into a visual narrative, can amplify these mechanisms. The processes involved include:<\/span><\/p>\n<ul>\n<li><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\"><strong>Inference and stereotyping:<\/strong> the image facilitates cognitive shortcuts that reduce the complexity of human experience.<\/span><\/li>\n<li><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\"><strong>Ethical distance:<\/strong> the viewer relates to suffering from a position of no direct involvement, which can reduce their perceived responsibility.<\/span><\/li>\n<li><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\"><strong>Relational asymmetry:<\/strong> the photographer holds agency; the person portrayed does not always have it.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">These dynamics place the photographer in a position of symbolic power that should be questioned. <strong>The camera, far from being a neutral tool, constructs meaning<\/strong>. And in that act of construction and looking \u2014between fascination and discomfort\u2014 ethical questions arise that we cannot avoid.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h4><strong><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">To what extent can the camera tell a story without appropriating it, without colonizing, reconstructing or adapting it \u2014without turning it into something that no longer belongs to the one who lived it, but to the one who looks at it?<\/span><\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">When a story is told by someone outside of its context, a phenomenon that social psychology has studied extensively is triggered: <strong>the representation of the other through an external framework<\/strong>, where categories, meanings, and emotions are interpreted by the observer, not the person experiencing them..<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-62386\" src=\"https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-y-la-responsabilidad-de-mirar.jpg\" alt=\"Fotograf\u00eda documental y la responsabilidad de mirar\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-y-la-responsabilidad-de-mirar.jpg 1024w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-y-la-responsabilidad-de-mirar-300x300.jpg 300w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-y-la-responsabilidad-de-mirar-150x150.jpg 150w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-y-la-responsabilidad-de-mirar-768x768.jpg 768w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-y-la-responsabilidad-de-mirar-24x24.jpg 24w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-y-la-responsabilidad-de-mirar-48x48.jpg 48w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-y-la-responsabilidad-de-mirar-96x96.jpg 96w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">Image created with Google Gemini using the following prompt:\u00a0 We\u2019ve just published a new blog post \u2014 this one: https:\/\/andanafoto.com\/en\/documentary-photography-and-the-responsibility-of-looking\/ Please create an image that represents it.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Some images hurt unintentionally \u2014or deliberately. Perhaps that\u2019s why the aesthetics of mockery or pain unsettles me so much, as it\u2019s so present in some documentary work. Images that aim for quick impact, that freeze a person in their most vulnerable moment, that showcase the wound.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">That aesthetic \u2014sometimes unconscious\u2014 turns reality into spectacle. And without realizing it, turns someone into an object rather than recognizing them as a subject.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">An image does not merely describe: it <strong>condenses, selects, emphasizes<\/strong>, and at times, <strong>oversimplifies<\/strong>.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">The person photographed is pinned to a single gesture, a single moment, which can unintentionally become their public identity. What is a visual narrative for the photographer may be a form of reduction or stereotyping for the person portrayed.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Psychology knows that humans are particularly vulnerable to such simplifications. The brain interprets using cognitive shortcuts: it sees a face, a wound, or an expression of pain, and instantly builds a narrative. That\u2019s why the image holds so much power\u2026 and so much responsibility.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">And yes, of course it\u2019s necessary to make visible the realities, the social injustices, the wars, the cities, and personal transformations\u2026 <strong>but the inevitable question is: from where? Can we photograph without invading?<\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">To photograph means to interpret, to choose, to frame\u2026 but it also means to take a stance. And that\u2019s where the ethical tension arises:<\/span><\/p>\n<p><strong><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">What right does someone have to tell a story that is not their own?<\/span><\/strong><br \/>\n<strong><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Is the story being accompanied or is the subject being used?<\/span><\/strong><br \/>\n<strong><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Is it being looked at or taken?<\/span><\/strong><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">I wonder how we can address this discomfort in the 21st century and not contribute to social anesthesia from an ethical standpoint.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h4><strong><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">What questions could accompany those who look through the camera?<\/span><\/strong><br \/>\n<span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Perhaps asking them before creating the image could guide us toward a more ethical path.<\/span><\/h4>\n<ol>\n<li><span style=\"font-weight: normal; font-family: verdana, geneva, sans-serif; font-size: 12pt;\"><strong>Do we photograph to understand or to make an impact?<\/strong> Intention always shows in the image. What are we really seeking: to understand or to impress? It can\u2019t be both.<\/span><\/li>\n<li><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\"><strong>To accompany or to exhibit?<\/strong> Are we standing beside the person or using them as a symbol of something?<\/span><\/li>\n<li><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\"><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\"><strong>So the person or the issue can be seen, or so the photographer can gain recognition through them?<\/strong><\/span><\/span><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">That might be the most uncomfortable question\u2026 <\/span><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">and the most necessary one.<\/span><\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">There are alternatives, more respectful paths: Participatory methodologies developed in community psychology, education, and anthropology offer more equitable models for image production. Among them are:<\/span><\/p>\n<ul>\n<li><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\"><strong>Participatory photography (<a href=\"https:\/\/andanafoto.com\/en\/photovoice-between-participatory-photography-psychology-and-neuroscience\/\" target=\"_blank\" rel=\"noopener\">Photovoice<\/a>)<\/strong>: allows communities to represent their own narratives.<\/span><\/li>\n<li><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\"><strong>Co-authorship processes:<\/strong> the photographer acts as a facilitator, not the main interpreter.<\/span><\/li>\n<li><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\"><strong>Dialogic construction of the narrative:<\/strong> decisions are made collaboratively, reducing asymmetry.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">These approaches redistribute the power of the gaze and promote an ethic based on agency, dignity, and the recognition of the other as an active subject.<\/span><\/p>\n<p>&nbsp;<\/p>\n<blockquote>\n<h3><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">To me, 21st-century documentary photography should be educational and place the camera in the hands of those who can tell the story from within.<\/span><\/h3>\n<\/blockquote>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">Documentary photography in the 21st century can become an educational and transformative space if it stops focusing solely on looking at the other and begins to ask <strong>how to look with the other<\/strong>.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">When photography is placed within this framework, it ceases to be a tool of extraction and becomes a tool for encounter, agency, and dignity.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">And perhaps, deep down, that\u2019s what many of us are searching for: to look without harming, to document without appropriating, to tell without erasing the other.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">These ideas arise from a personal experience, but also from a professional concern: how we construct the gaze in a society saturated with images, and what psychological, social, and ethical effects this construction has.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">I do not write to assign blame or to discredit an essential discipline. <strong>The contemporary challenge is to look without harming, to narrate without appropriating, and to document without silencing the other\u2019s voice.<\/strong> Only through doubt, critical analysis, and dialogue can we foster photographic practices that promote narrative justice and human sensitivity.<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">If this text stirred something within you, perhaps that\u2019s already the most important part of this reflection \u2014I\u2019d love to hear about it.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h1><span style=\"font-size: 10pt; font-family: verdana, geneva, sans-serif;\"><strong>Note on the Images in This Article<\/strong><\/span><\/h1>\n<p><span style=\"font-size: 10pt; font-family: verdana, geneva, sans-serif;\">To accompany this article, we chose to include images generated with Artificial Intelligence based solely on the content you\u2019ve just read. In addition to the one you\u2019ve already seen, here are the other two created by ChatGPT.<\/span><\/p>\n<p><span style=\"font-size: 10pt; font-family: verdana, geneva, sans-serif;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-62422 size-large\" src=\"https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Documentary-Photography-and-the-Responsibility-of-Looking-1024x236.jpg\" alt=\"\" width=\"1024\" height=\"236\" srcset=\"https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Documentary-Photography-and-the-Responsibility-of-Looking-1024x236.jpg 1024w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Documentary-Photography-and-the-Responsibility-of-Looking-300x69.jpg 300w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Documentary-Photography-and-the-Responsibility-of-Looking-768x177.jpg 768w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Documentary-Photography-and-the-Responsibility-of-Looking.jpg 1482w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/>The result can be unsettling: these are photographs that are not real, even if they appear to be. The difference is essential, but not always obvious. These two synthetic images convey the same pain, the same aesthetic, and the same emotional narrative\u2026 yet they do not stem from any real event nor do they depict any existing person.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-62400\" src=\"https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-representacion-1024x683.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-representacion-1024x683.jpg 1024w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-representacion-300x200.jpg 300w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-representacion-768x512.jpg 768w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-representacion.jpg 1536w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-62402\" src=\"https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-post.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-post.jpg 1024w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-post-300x300.jpg 300w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-post-150x150.jpg 150w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-post-768x768.jpg 768w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-post-24x24.jpg 24w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-post-48x48.jpg 48w, https:\/\/andanafoto.com\/wp-content\/uploads\/2025\/12\/Fotografia-documental-post-96x96.jpg 96w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1><span style=\"font-size: 14pt;\"><strong>References <\/strong><\/span><\/h1>\n<p>Barthes, R. (1981). <em>Camera lucida: Reflections on photography<\/em>. Hill &amp; Wang.<\/p>\n<p>Freire, P. (2005). <em>Pedagogy of the oppressed<\/em> (30th anniversary ed.). Continuum.<\/p>\n<p>Harper, D. (2002). Talking about pictures: A case for photo elicitation. <em>Visual Studies, 17<\/em>(1), 13\u201326. <a href=\"https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/14725860220137345\" target=\"_blank\" rel=\"noopener\">https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/14725860220137345<\/a><\/p>\n<p>Sontag, S. (2003). <em>Regarding the pain of others<\/em>. Farrar, Straus and Giroux.<\/p>\n<p>Wang, C., &amp; Burris, M. A. (1997). Photovoice: Concept, methodology, and use for participatory needs assessment. <em>Health Education &amp; Behavior, 24<\/em>(3), 369\u2013387. <a href=\"https:\/\/pubmed.ncbi.nlm.nih.gov\/9158980\/\" target=\"_blank\" rel=\"noopener\">https:\/\/pubmed.ncbi.nlm.nih.gov\/9158980\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"wpcp\"><style>\r\n  \/* Estilos por idioma *\/\r\n  :lang(es) .texto-es {\r\n    display: block;\r\n  }\r\n  :lang(es) .texto-en {\r\n    display: none;\r\n  }\r\n  :lang(en) .texto-es {\r\n    display: none;\r\n  }\r\n  :lang(en) .texto-en {\r\n    display: block;\r\n  }\r\n<\/style>\r\n\r\n<!-- Texto en espa\u00f1ol -->\r\n<div class=\"texto-es\">\r\n  <p><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" height=\"20\" width=\"17.5\" viewBox=\"0 0 448 512\"><path fill=\"#618a96\" d=\"M448 296c0 66.3-53.7 120-120 120l-8 0c-17.7 0-32-14.3-32-32s14.3-32 32-32l8 0c30.9 0 56-25.1 56-56l0-8-64 0c-35.3 0-64-28.7-64-64l0-64c0-35.3 28.7-64 64-64l64 0c35.3 0 64 28.7 64 64l0 32 0 32 0 72zm-256 0c0 66.3-53.7 120-120 120l-8 0c-17.7 0-32-14.3-32-32s14.3-32 32-32l8 0c30.9 0 56-25.1 56-56l0-8-64 0c-35.3 0-64-28.7-64-64l0-64c0-35.3 28.7-64 64-64l64 0c35.3 0 64 28.7 64 64l0 32 0 32 0 72z\" \/><\/svg>  <strong><span style=\"color: #618a96\">C\u00f3mo citar este art\u00edculo<\/span><\/strong><br>\r\n<br>\r\nAl citar, reconoces el trabajo original, evitas problemas de plagio y permites acceder a las fuentes originales para obtener m\u00e1s informaci\u00f3n o verificar datos. Aseg\u00farate siempre de dar cr\u00e9dito y de citar de forma adecuada.\r\n<\/p>\r\n<\/div>\r\n<!-- Texto en ingl\u00e9s -->\r\n<div class=\"texto-en\">\r\n  <p><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" height=\"20\" width=\"17.5\" viewBox=\"0 0 448 512\"><path fill=\"#618a96\" d=\"M448 296c0 66.3-53.7 120-120 120l-8 0c-17.7 0-32-14.3-32-32s14.3-32 32-32l8 0c30.9 0 56-25.1 56-56l0-8-64 0c-35.3 0-64-28.7-64-64l0-64c0-35.3 28.7-64 64-64l64 0c35.3 0 64 28.7 64 64l0 32 0 32 0 72zm-256 0c0 66.3-53.7 120-120 120l-8 0c-17.7 0-32-14.3-32-32s14.3-32 32-32l8 0c30.9 0 56-25.1 56-56l0-8-64 0c-35.3 0-64-28.7-64-64l0-64c0-35.3 28.7-64 64-64l64 0c35.3 0 64 28.7 64 64l0 32 0 32 0 72z\" \/><\/svg>  <strong><span style=\"color: #618a96\">How to cite this article<\/span><\/strong><br>\r\n<br>\r\nBy citing an article, you acknowledge the original work, avoid plagiarism issues, and allow access to the original sources for further information or data verification. Make sure to always give credit and cite appropriately.\r\n<\/p>\r\n<\/div>\r\n<br>\r\nAmparo Mu\u00f1oz Morell\u00e0. (December 10, 2025). \"Documentary Photography and the Responsibility of Looking\". ANDANAfoto.com. | <a href=\"https:\/\/andanafoto.com\/en\/documentary-photography-and-the-responsibility-of-looking\/\">https:\/\/andanafoto.com\/en\/documentary-photography-and-the-responsibility-of-looking\/<\/a>.\r\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Documentary photography is a powerful tool for social representation, but it also raises ethical dilemmas related to the gaze, vulnerability, and the construction of narratives about others. From a psychological perspective, this article explores the cognitive, emotional, and relational processes involved in the act of photographing, with the aim of encouraging more respectful, conscious, and collaborative practices in today\u2019s visual culture.<\/p>\n","protected":false},"author":2,"featured_media":63581,"comment_status":"open","ping_status":"closed","sticky":false,"template":"template-microsite.php","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[566,534,603,489],"tags":[],"class_list":["post-62413","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en","category-english","category-history","category-photographic-project","category-566","category-534","category-603","category-489","description-off"],"_links":{"self":[{"href":"https:\/\/andanafoto.com\/en\/wp-json\/wp\/v2\/posts\/62413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andanafoto.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/andanafoto.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/andanafoto.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/andanafoto.com\/en\/wp-json\/wp\/v2\/comments?post=62413"}],"version-history":[{"count":7,"href":"https:\/\/andanafoto.com\/en\/wp-json\/wp\/v2\/posts\/62413\/revisions"}],"predecessor-version":[{"id":62425,"href":"https:\/\/andanafoto.com\/en\/wp-json\/wp\/v2\/posts\/62413\/revisions\/62425"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/andanafoto.com\/en\/wp-json\/wp\/v2\/media\/63581"}],"wp:attachment":[{"href":"https:\/\/andanafoto.com\/en\/wp-json\/wp\/v2\/media?parent=62413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/andanafoto.com\/en\/wp-json\/wp\/v2\/categories?post=62413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/andanafoto.com\/en\/wp-json\/wp\/v2\/tags?post=62413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}